You might recall that I for the special 12/12/12 reveal I managed to produce only an insipid, contrastless, unexciting map. You can read the sorry tale
here . Since than the map - which looked like this
has sat unloved on a corner of my work table. every now and agan I'd pick it up and mutter
'Sweet, sweet, sweet. Come on. Think. Sweet.' but no ideas came. I did not know whether to bin this and start again.(But I had no alternative ideas). Or to make this work. (But I didn't know how.) I hated it. I hoped everyone would forget that I never finished it. then I got news that the 20/12 quilts were wanted for exhibition. I
had to finish it.
Then one day I was tidying up some boxes of scraps and bits and this sample Maasi warrior fell out onto the top of the sweet map.
Ta-Dah! Of course.. it needed a man. That much should have been absolutely obvious from the outset. Mostly because the quilt is about the story of how the government are taking the land of the Omo tride in Southern Ethiopia to make sugar plantations. The maps shows their current land and how much will be affected by their forced relocation.(Read more
here). For me the stories in my quilts are always about the people and their lives. Not the landscape. So, how I didn't think to add an Omo tribesman with his traditional body paint I will never know.
Especially as the first page in my Studio Filofax, which I open almost every day, is, um, a picture of an Omo tribe family.. (Doh!)
And the great irony is that this most hated and loathed quilt is now my favourite of my 20/12 series!
Time will do great things.